Peter Radelfinger — Falsche Fährten

About

Peter Radelfinger is a collector of texts and images, meticulously gathered from newspapers, magazines, and the internet. These discoveries range from poems to diagrams, encompassing mathematical formulas, adverts for men’s pajamas, and an abundance of chimpanzee and gorilla depictions. In his creation “False Tracks,” the artist meticulously assigns and categorizes these amassed texts and images. Through the establishment of categories, he facilitates access for viewers. He extends an invitation into his universe—a realm composed of both the significant and the seemingly trivial. “False Tracks” stands as a monolithic assemblage, a collection that unveils the world through the lens of an artist driven by obsessive curation. Born in Bern in 1953, Radelfinger concludes nearly three decades of teaching at Zurich University of the Arts, leaving behind this work as his legacy.
The design of “False Tracks” is notably distinctive. Radelfinger deliberately alludes to his own persona by crafting a prototype using his laser printer. This endeavor involves embracing default software settings, seeking to capture the enchanting essence of a handcrafted artifact. The incorporation of the system font “Verdana” has been reimagined, tailored to Radelfinger’s own handwriting. This infusion imparts a personal touch to the work, accentuating his artistic identity. Within every page of “False Tracks,” the artist’s meticulous attention to detail shines through, presenting the world through his unique perspective.